I’ve always liked the sound of jazz but have never been as interested in it as rock or classical. Recently my interest has flared up a bit, and I’ve been trying to make up for lost time by listening to more of it with active ears. The standard approved way to work on your analytical technique seems to be to make transcriptions of classical recorded solos, so I picked up the first random jazz CD that was at hand, Bud Powell’s The Scene Changes, and sat down to transcribe the first number, Cleopatra’s Dream. Unfortunately 1) it’s a very fast tune (quarter note = 240), 2) it’s in A flat minor (that’s seven flats), and 3) Bud Powell, like I suppose any good pianist, uses both hands. So maybe it was not the best song to transcribe first. Nonetheless I ended up with something that is at least moderately accurate, especially in the right hand, and it can be found here (PDF file).
I did learn a bit from this exercise about how Powell improvises, and it was good practice for my ears, so it was certainly a success on those fronts. If anyone has suggestions or corrections, especially actual jazz musicians who can tell me, for example, “this line you sketched out in the left hand is not what anyone would ever actually play, he must be doing this instead”, I’d love to hear them.
(By the way, I noted on Twitter that I hear this as being in Ab minor (7 flats), and not G# minor (5 sharps), which you’d think would be more “simple”, and I think I realized why. The leading tone is an important part of the scale, and the major dominant chord that contains it is an important chord; and it’s much easier to think about a V chord that’s an Eb major (Eb, G, Bb) than a D# major (D#, F##, A#). So I think I chose the right key after all.)